It is interesting to look at Behr’s script credits on Deep Space Nine. These aspects of Deep Space Nine are undoubtedly important and influential, but they are not the only contributions made by showrunner Ira Steven Behr. Most discussions of Deep Space Nine tend to focus on the bolder and more iconoclastic elements of the series, whether the needling of Gene Roddenberry’s utopia in episodes like The Maquis, Part I and The Maquis, Part II or the more experimental narrative choices like the long-form storytelling that led to the Dominion War. There was also a very minor C-plot about Klingons not flinging their subordinates off of balconies.Īn Honest Fangirl loves video games, horror movies, and superheroes, and occasionally manages to put words together in a coherent and pleasing manner.Ira Steven Behr was a producer with esoteric interests. She replaced Andrea Martin, who did not want to go through the prosthetics again. I am surprised that Leeta went to Kira and not Dax to vent about Rom.Ĭecily Adams plays Ishka in this episode and in all future episodes. I don't think that donating all of his latinum in order to prove his loyalty and love was the right way to resolve that. He has very reasonable trauma from his first marriage that was really brushed aside. Can you imagine going up to someone and saying "You're the least (insert minority of your choice here) I know," and then claiming that that was a good thing? I also didn't like that Rom was the only one making sacrifices and changing who he was to make the relationship work. Ultimately, did anything in this episode really matter beyond Quark getting his business license back? Like I said, the episode was fine, but there's nothing here that makes me want to rewatch it or makes me glad that I spent the hour seeing it in the first place.Īs much as I enjoy Rom and Leeta and think that they're cute, their subplot here really felt wrong to me. Like "Family Business" they seemed to be brushed aside in favor of a plot resolution that maintained the status quo and didn't interrogate Ferengi culture too deeply. I'm also not sure how I feel about Ishka and how her ideas of gender equality were treated. Even if that means another Ferengi-centric episode. There's some potentially really interesting stories and drama there. If anything, I'm a little disappointed that we didn't get to explore Zek's memory issues in more depth or more seriously. The resolution all happened off-screen and it didn't really raise the stakes all that much. I'm not quite sure how we made the jump from a standard sitcom romance plot to 'You just doomed the entire economy!' although I suppose that it didn't really matter. I don't even really have a lot to say about it other than it really could have been worse and I'm thankful that it wasn't. It's nothing that hasn't been seen before a million times in a million different places. The plot was just incredibly predictable and tedious. I kept smiling whenever someone would pop up in Quark's closet, which is basically equal to a laugh when you're watching TV by yourself. And I was surprised to find that the episode was. Still, I tried my best to go into this with an open mind. This episode title felt like a large, neon warning sign. Half the time, I'm unsure of whether or not I'm even a Quark fan. I don't think you're going to really like the answer, though.Īlright, full disclosure. You know, Quark, that is a very valid question. "Wait a minute! What's the Nagus doing in my closet?"
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